“His brush strokes are like his voice; straight forward, rough, occasionally fragile. He's not after artistic perfection but something larger; a moment, a feeling. The effect is enthralling. (New York Times)” - Bob Dylan
“I’ll paint the whole world silver and gold if I could” was the determined childhood promise that led to a lifetime love affair with art for Kealey Farmer.
The key is not to take yourself or your work too seriously, just to have fun creating and experiment and ignore criticism and keep your feet on the ground, otherwise it gets too complicated and it ruins your creativity, I create artwork for other people to enjoy and I don’t attempt to save the world with a message that I don’t truly believe. I donate to charities instead through the sale of my artwork who really do know how to make a difference”
“Being self-taught, I have studied many artists – particularly the techniques of the old masters, which I have adapted to suit my own way of working. Nostalgia is a driving influence in all of my work.”
Simon says: “Here, she looks younger – yet there is still a natural maturity running through her pose. The pose and hair aren’t confined to the 1950s, they exude timelessness and could be seen in Vogue, Liberty, or New York’s 5th Avenue.”